One was the Prince of Majorca, the handsome youth we have already spoken of: he bore her off triumphant over all rivals, including the son of the 杭州养生会所哪家服务好 King of France. James of Aragon had one of those faces of melancholy sweetness which no woman can resist. Great troubles nobly borne had thrown as it were a funereal veil over his youthful days: more than thirteen years he had spent shut in an iron cage; when by the aid of a false key he had escaped from his dreadful prison, he wandered from one court to another seeking aid; it is even said that he was reduced to the lowest degree of poverty and forced to beg his bread. The young stranger’s beauty and his adventures combined had impressed both Joan and Marie at the court of Avignon. Marie especially had conceived a violent passion for him, all the more so for the efforts she made to conceal it in her own bosom. Ever since James of Aragon came to Naples, the unhappy princess, married with a dagger at her throat, had desired to 杭州特殊spa purchase her liberty at the expense of crime. Followed by four armed men, she entered the prison where Robert des Baux was still suffering for a fault more his father’s than his own. Marie stood before the prisoner, her arms crossed, her cheeks livid, her lips trembling. It was a terrible interview. This time it was she who threatened, the man who entreated pardon. Marie was deaf to his prayers, and the head of the luckless man fell bleeding at her feet, and her men threw the body into the sea. But God never allows a murder to go unpunished: James preferred the queen to her sister, and the widow of Charles of Durazzo gained nothing by her crime but the contempt of the man she loved, and a bitter remorse which brought her while yet young to the tomb.
Joan was married in turn to James of Aragon, son of the King of Majorca, 杭州水磨 and to Otho of Brunswick, of the imperial family of Saxony. We will pass rapidly over these years, and come to the denouement of this history of crime and expiation. James, parted from his wife, continued his stormy career, after a long contest in Spain with Peter the Cruel, who had usurped his kingdom: about the end of the year 1375 he died near Navarre. Otho also could not escape the Divine vengeance which hung over the court of Naples, but to the end he valiantly shared the queen’s fortunes. Joan, since she had no lawful heir, adopted her nephew, Charles de la Paix (so called after the peace of Trevisa). He was the son of Louis Duras, who after rebelling against Louis of Tarentum, had died miserably in the castle of Ovo. The child would have shared his father’s fate had not Joan interceded to spare his life, loaded him with 杭州滨江街女最多的地方 kindness, and married him to Margaret, the daughter of her sister Marie and her cousin Charles, who was put to death by the King of Hungary.
Serious differences arose between the queen and one of her former subjects, Bartolommeo Prigiani, who had become pope under the name of Urban VI. Annoyed by the queen’s opposition, the pope one day angrily said he would shut her up in a convent. Joan, to avenge the insult, openly favoured Clement VII, the anti-pope, and offered him a home in her own castle, when, pursued by Pope Urban’s army, he had taken refuge at Fondi. But the people rebelled against Clement, and killed the Archbishop of Naples, who had helped to elect him: they broke the cross that was carried in procession before the anti-pope, and hardly allowed him time to make his escape on shipboard to Provence. Urban declared 杭州萧山夜网 that Joan was now dethroned, and released her subjects from their oath of fidelity to her, bestowing the crown of Sicily and Jerusalem upon Charles de la Paix, who marched on Naples with 8000 Hungarians. Joan, who could not believe in such base ingratitude, sent out his wife Margaret to meet her adopted son, though she might have kept her as a hostage, and his two children, Ladislaus and Joan, who became later the second queen of that name. But the victorious army soon arrived at the gates of Naples, and Charles blockaded the queen in her castle, forgetting in his ingratitude that she had saved his life and loved him like a mother.
Joan during the siege endured all the worst fatigues of war that any soldier has to bear. She saw her faithful friends fall around her wasted by hunger or decimated by sickness. When all food 杭州男士会所哪个好推荐 was exhausted, dead and decomposed bodies were thrown into the castle that they might pollute the air she breathed. Otho with his troops was kept at Aversa; Louis of Anjou, the brother of the King of France whom she had named as her successor when she disinherited her nephew, never appeared to help her, and the Provencal ships from Clement VII were not due to arrive until all hope must be over. Joan asked for a truce of five days, promising that, if Otho had not come to relieve her in that time, she would surrender the fortress.
On the fifth day Otho’s army appeared on the side of Piedigrotta. The fight was sharp on both sides, and Joan from the top of a tower could follow with her eyes the cloud of dust raised by her husband’s horse in the thickest of the battle. The victory was long uncertain: at length the prince made so 杭州洗浴俄罗斯女 bold an onset upon the royal standard, in his eagerness to meet his enemy hand to hand, that he plunged into the very middle of the army, and found himself pressed on every side. Covered with blood and sweat, his sword broken in his hand, he was forced to surrender. An hour later Charles was writing to his uncle, the King of Hungary, that Joan had fallen into his power, and he only awaited His Majesty’s orders to decide her fate.
It was a fine May morning: the queen was under guard in the castle of Aversa: Otho had obtained his liberty on condition of his quitting Naples, and Louis of Anjou had at last got together an army of 50,000 men and was marching in hot haste to the conquest of the kingdom. None of this news had reached the ears of Joan, who for some days had lived in complete isolation. The spring lavished all her 杭州桑拿论坛 glory on these enchanted plains, which have earned the name of the blessed and happy country, campagna felite. The orange trees were covered with sweet white blossoms, the cherries laden with ruby fruit, the olives with young emerald leaves, the pomegranate feathery with red bells; the wild mulberry, the evergreen laurel, all the strong budding vegetation, needing no help from man to flourish in this spot privileged by Nature, made one great garden, here and there interrupted by little hidden runlets. It was a forgotten Eden in this corner of the world. Joan at her window was breathing in the perfumes of spring, and her eyes misty with tears rested on a bed of flowery verdure; a light breeze, keen and balmy, blew upon her burning brow and offered a grateful coolness to her damp and fevered cheeks. Distant melodious voices, 杭州桑拿按摩双飞 refrains of well-known songs, were all that disturbed the silence of the poor little room, the solitary nest where a life was passing away in tears and repentance, a life the most brilliant and eventful of a century of splendour and unrest.
The queen was slowly reviewing in her mind all her life since she ceased to be a child—fifty years of disillusionment and suffering. She thought first of her happy, peaceful childhood, her grandfather’s blind affection, the pure joys of her days of innocence, the exciting games with her little sister and tall cousins. Then she shuddered at the earliest thought of marriage, the constraint, the loss of liberty, the bitter regrets; she remembered with horror the deceitful words murmured in her ear, designed to sow the seeds of corruption and vice that were to poison her whole life. Then came the burning memories of her first love, the treachery and desertion of Robert of Cabane, the moments of madness passed like a dream in the arms of Bertrand of Artois—the whole drama up to its tragic denouement showed as in letters of fire on the dark background of her sombre thoughts. Then arose cries of anguish in her soul, even as on that terrible fatal night she heard the voice of Andre asking mercy from his murderers. A long deadly silence followed his awful struggle, and the queen saw before her eyes the carts of infamy and the torture of her accomplices. All the rest of this vision was persecution, flight, exile, remorse, punishments from God and curses from the world. Around her was a frightful solitude: husbands, lovers, kindred, friends, all were dead; all she had loved or hated in the world were now no more; her joy, pain, desire, and hope had vanished for ever. The poor queen, unable to free herself from these visions of woe, violently tore herself away from the awful reverie, and kneeling at a prie-dieu, prayed with fervour. She was still beautiful, in spite of her extreme pallor; the noble lines of her face kept their pure oval; the fire of repentance in her great black eyes lit them up with superhuman brilliance, and the hope of pardon played in a heavenly smile upon her lips.
Suddenly the door of the room where Joan was so earnestly praying opened with a dull sound: two Hungarian barons in armour entered and signed to the queen to follow them. Joan arose silently and obeyed; but a cry of pain went up from her heart when she recognised the place where both Andre and Charles of Durazzo had died a violent death. But she collected her forces, and asked calmly why she was brought hither. For all answer, one of the men showed her a cord of silk and gold….
“May the will of a just God be done!” cried Joan, and fell upon her knees. Some minutes later she had ceased to suffer.
This was the third corpse that was thrown over the balcony at Aversa.
THE MAN IN THE IRON MASK [An Essay]
(This is the essay entitled The Man in the Iron Mask, not the novel
“The Man in the Iron Mask” [The Novel] Dumas #28[nmaskxxx.xxx]2759])
For nearly one hundred years this curious problem has exercised the imagination of writers of fiction—and of drama, and the patience of the learned in history. No subject is more obscure and elusive, and none more attractive to the general mind. It is a legend to the meaning of which none can find the key and yet in which everyone believes. Involuntarily we feel pity at the thought of that long captivity surrounded by so many extraordinary precautions, and when we dwell on the mystery
which enveloped the captive, that pity is not only deepened but a kind of terror takes possession of us. It is very likely that if the name of the hero of this gloomy tale had been known at the time, he would now be forgotten. To give him a name would be to relegate him at once to the ranks of those commonplace offenders who quickly exhaust our interest and our tears. But this being, cut off from the world without leaving any discoverable trace, and whose disappearance apparently caused no void—this captive, distinguished among captives by the unexampled nature of his punishment, a prison within a prison, as if the walls of a mere cell were not narrow enough, has come to typify for us the sum of all the human misery and suffering ever inflicted by unjust tyranny.
Who was the Man in the Mask? Was he rapt away into this silent seclusion from the luxury of a court, from the intrigues of diplomacy, from the scaffold of a traitor, from the clash of battle? What did he leave behind? Love, glory, or a throne? What did he regret when hope had fled? Did he pour forth imprecations and curses on his tortures and blaspheme against high Heaven, or did he with a sigh possess his soul in patience?
The blows of fortune are differently received according to the different characters of those on whom they fall; and each one of us who in imagination threads the subterranean passages leading to the cells of Pignerol and Exilles, and incarcerates himself in the Iles Sainte-Marguerite and in the Bastille, the successive scenes of that long-protracted agony will give the prisoner a form shaped by his own fancy and a grief proportioned to his own power of suffering. How we long to pierce the thoughts and feel the heart-beats and watch the trickling tears behind that machine-like exterior, that impassible mask! Our imagination is powerfully excited by the dumbness of that fate borne by one whose words never reached the outward air, whose thoughts could never be read on the hidden features; by the isolation of forty years secured by two-fold barriers of stone and iron, and she clothes the object of her contemplation in majestic splendour, connects the mystery which enveloped his existence with mighty interests, and persists in regarding the prisoner as sacrificed for the preservation of some dynastic secret involving the peace of the world and the stability of a throne.
And when we calmly reflect on the whole case, do we feel that our first impulsively adopted opinion was wrong? Do we regard our belief as a poetical illusion? I do not think so; on the contrary, it seems to me that our good sense approves our fancy’s flight. For what can be more natural than the conviction that the secret of the name, age, and features of the captive, which was so perseveringly kept through long years at the cost of so much care, was of vital importance to the Government? No ordinary human passion, such as anger, hate, or vengeance, has so dogged and enduring a character; we feel that the measures taken were not the expression of a love of cruelty, for even supposing that Louis XIV were the most cruel of princes, would he not have chosen one of the thousand methods of torture ready to his hand before inventing a new and strange one? Moreover, why did he voluntarily burden himself with the obligation of surrounding a prisoner with such numberless precautions and such sleepless vigilance? Must he not have feared that in spite of it all the walls behind which he concealed the dread mystery would one day let in the light? Was it not through his entire reign a source of unceasing anxiety? And yet he respected the life of the captive whom it was so difficult to hide, and the discovery of whose identity would have been so dangerous. It would have been so easy to bury the secret in an obscure grave, and yet the order was never given. Was this an expression of hate, anger, or any other passion? Certainly not; the conclusion we must come to in regard to the conduct of the king is that all the measures he took against the prisoner were dictated by purely political motives; that his conscience, while allowing him to do everything necessary to guard the secret, did not permit him to take the further step of putting an end to the days of an unfortunate man, who in all probability was guilty of no crime.
Courtiers are seldom obsequious to the enemies of their master, so that we may regard the respect and consideration shown to the Man in the Mask by the governor Saint-Mars, and the minister Louvois, as a testimony, not only to his high rank, but also to his innocence.
For my part, I make no pretensions to the erudition of the bookworm, and I cannot read the history of the Man in the Iron Mask without feeling my blood boil at the abominable abuse of power—the heinous crime of which he was the victim.
A few years ago, M. Fournier and I, thinking the subject suitable for representation on the stage, undertook to read, before dramatising it, all the different versions of the affair which had been published up to that time. Since our piece was successfully performed at the Odeon two other versions have appeared: one was in the form of a letter addressed to the Historical Institute by M. Billiard, who upheld the conclusions arrived at by Soulavie, on whose narrative our play was founded; the other was a work by the bibliophile Jacob, who followed a new system of inquiry, and whose book displayed the results of deep research and extensive reading. It did not, however, cause me to change my opinion. Even had it been published before I had written my drama, I should still have adhered to the idea as to the most probable solution of the problem which I had arrived at in 1831, not only because it was incontestably the most dramatic, but also because it is supported by those moral presumptions which have such weight with us when considering a dark and doubtful question like the one before us. It will, be objected, perhaps, that dramatic writers, in their love of the marvellous and the pathetic, neglect logic and strain after effect, their aim being to obtain the applause of the gallery rather than the approbation of the learned. But to this it may be replied that the learned on their part sacrifice a great deal to their love of dates, more or less exact; to their desire to elucidate some point which had hitherto been considered obscure, and which their explanations do not always clear up; to the temptation to display their proficiency in the ingenious art of manipulating facts and figures culled from a dozen musty volumes into one consistent whole.